Dune Wood
…the essential ugliness of the 80s science fiction/comic strip project—hitherto concealed beneath the sweetness-and-light of patriarchal morality—has risen to the surface: witness the obsessive violence of Indiana Jones and the Temple of Doom and the pervasively sick imagery of Gremlins (which Spielberg “presented”). Dune is the culmination of the exposure of rottenness. It is the most obscenely homophobic film I have ever seen, managing to associate with homosexuality in a single scene physical grossness, moral depravity, violence and disease. It shows no real interest in its bland young lovers or its last-minute divine revelation, all its energies being devoted to the expression of physical and sexual disgust. Much of the imagery strongly recalls David Lynch’s earlier Eraserhead, but the film seems only partly explicable in auterist terms; the choice of Lynch as writer-director would also need to be explained, and the film must be seen in the wider context as a product of the 80s Hollywood machine.
Robin Wood, Hollywood from Vietnam to Reagan… and Beyond
All of his criticisms are legit. I’m compelled to point out that explicating Dune in auterist terms is exactly what I have done over the years much to the chigrin of SF fans, popular film critics, academic film critics, and Lynch fans. The exception of course being Zizek.